Andréa Blanar: Archives
Promotional Material / Matériel Promotionnel
Archives de Presse
Une série d'articles de presse couvrant la carrière d'Andréa. Cliquez sur les icones pour visionner les articles individuels. Vous pouvez aussi utiliser votre clavier (← et →) pour changer d'article.
Revue Parcours • 2007
"Retenons qu'Andréa Blanar cherche constamment a exprimer son besoin de ne faire qu'un avec les forces de la nature et elle le transmet dans ses œuvres par un langage porteur de sens et d'espérance. A voir et revoir."
"Retenons qu'Andréa Blanar cherche constamment a exprimer son besoin de ne faire qu'un avec les forces de la nature et elle le transmet dans ses œuvres par un langage porteur de sens et d'espérance. A voir et revoir."
Montreal Gazette • 11.2006
"Andrea Blanar... one of five prominent Greater Montrealers of Hungarian background honoured for outstanding contributions to the community...."
"Andrea Blanar... one of five prominent Greater Montrealers of Hungarian background honoured for outstanding contributions to the community...."
Hamilton Spectator • 05.2005
"She creates artwork that slips away from the real, into a world of magical signs and symbols."
"She creates artwork that slips away from the real, into a world of magical signs and symbols."
Revue Parcours • 2003
"Le plus extraordinaire dans tout cela, c'est que, dans la démarche artistique d'Andréa Blanar, rien n'est gratuit, rien n'est issu d'une symbolique appoximative, rien n'est même désincarné."
"Le plus extraordinaire dans tout cela, c'est que, dans la démarche artistique d'Andréa Blanar, rien n'est gratuit, rien n'est issu d'une symbolique appoximative, rien n'est même désincarné."
Revue Parcours • 2003
"Most extraordinary of all is that there are absolutely no givens in Andrea Blanar's work. Nothing is the issue of some vague symbolism, nothing is disembodied."
"Most extraordinary of all is that there are absolutely no givens in Andrea Blanar's work. Nothing is the issue of some vague symbolism, nothing is disembodied."
Hamilton Spectator • 04.2002
"The scene extends onto the frame formed by the pointed arch of a church window, blurring the boundaries between the landscape and the frame."
"The scene extends onto the frame formed by the pointed arch of a church window, blurring the boundaries between the landscape and the frame."
West Island Chronicle • 09.2001
"For some people, old church windows and discarded pieces of driftwood are merely objects for the trash. But for Andrea Blanar, they're pieces of art waiting to happen."
"For some people, old church windows and discarded pieces of driftwood are merely objects for the trash. But for Andrea Blanar, they're pieces of art waiting to happen."
New Brunswick Reader • 08.2000
"Could it be that the vision of the original Yorkshire Methodists... is echoed in the creative artistry of one who, coming from a different place, attempts to re-create her own vision of divine majesty and beauty?"Page 2
"Could it be that the vision of the original Yorkshire Methodists... is echoed in the creative artistry of one who, coming from a different place, attempts to re-create her own vision of divine majesty and beauty?"Page 2
Hamilton Spectator • 04.2000
"Andrea Blanar surrounds some of her works with antique window frames. What we see through them is landscapes of the mind and memory."Page 2
"Andrea Blanar surrounds some of her works with antique window frames. What we see through them is landscapes of the mind and memory."Page 2
Hamilton Spectator • 01.2000
"The iconic power of these paintings is intensified by the presentation. Some have been painted on screens...others are on hinged panels like ecclesiastical altarpieces."
"The iconic power of these paintings is intensified by the presentation. Some have been painted on screens...others are on hinged panels like ecclesiastical altarpieces."
Burlington Post • 01.2000
"Blanar's landscapes show the influence of the Maritimes but there is also a distinctly European religious flavour to her work."
"Blanar's landscapes show the influence of the Maritimes but there is also a distinctly European religious flavour to her work."
Hamilton Spectator • unknown
"The altar pieces and Gothic windows are like an entrance to a place where the truth is being revealed, entering a space that elevates you."
"The altar pieces and Gothic windows are like an entrance to a place where the truth is being revealed, entering a space that elevates you."
Sackville Tribune-Post • 09.1999
"Blanar's first response to the salt marshes of New Brunswick was both passionate and immediate."
"Blanar's first response to the salt marshes of New Brunswick was both passionate and immediate."
New Brunswick Reader • 09.1999
"She had never seen saltwater marshes before and it was that aspect of the New Brunswick landscape that haunted her. When she returned to Montreal, her work began to change."
"She had never seen saltwater marshes before and it was that aspect of the New Brunswick landscape that haunted her. When she returned to Montreal, her work began to change."
Saint John Times Globe • 05.1999
"The gallery walls sing with colour as the New Brunswick landscape is splashed across old church windows and mirror frames, which are bordered with birds and decorative swirls.."
"The gallery walls sing with colour as the New Brunswick landscape is splashed across old church windows and mirror frames, which are bordered with birds and decorative swirls.."
Sackville Tribune-Post • 09.1998
"'The people around me have a certain feeling about the church and I do too. The building inspires that and it inspires me.'"
"'The people around me have a certain feeling about the church and I do too. The building inspires that and it inspires me.'"
The Suburban • 09.1998
"There are no boundaries or restrictions in the designs that she has established. The result is an endless depth and distance to her stretches of marsh, sea, sky, and mud flats."
"There are no boundaries or restrictions in the designs that she has established. The result is an endless depth and distance to her stretches of marsh, sea, sky, and mud flats."
Hamilton Spectator • 05.1998
"'I have always felt this need- the need to make a mark, to alter the surface, to leave traces of myself.'"
"'I have always felt this need- the need to make a mark, to alter the surface, to leave traces of myself.'"
Revue Parcours • 1996 - 1997
"L'art est quelque chose de très personnel... tout ce qui se rapporte à la conceptualisation en arts visuels se fait en travaillant."
"L'art est quelque chose de très personnel... tout ce qui se rapporte à la conceptualisation en arts visuels se fait en travaillant."
Montreal Gazette • 05.1996
"The purpose of the trip is a church search, specifically the investigation of an old Wesleyan clapboard one for the painter."
"The purpose of the trip is a church search, specifically the investigation of an old Wesleyan clapboard one for the painter."
Pluralité • 1994 - 1995
"'Cette série s'inspire de l'art médiéval, en particulier les éléments d'autel et les enluminures de manuscrits.'"
"'Cette série s'inspire de l'art médiéval, en particulier les éléments d'autel et les enluminures de manuscrits.'"
Le Devoir • 10.1994
"Œuvres qui s'ouvrent et se déplient comme une boîte, cernées d'oiseaux, surmontées de volutes qui les couronnent, elles parlent de la nature."
"Œuvres qui s'ouvrent et se déplient comme une boîte, cernées d'oiseaux, surmontées de volutes qui les couronnent, elles parlent de la nature."
L'Acadie Nouvelle • 04.1994
"Andréa Blanar transpose également dans ses œuvres un élément de spiritualité... véritable jonction des cultures asiatique et amérindienne."
"Andréa Blanar transpose également dans ses œuvres un élément de spiritualité... véritable jonction des cultures asiatique et amérindienne."
L'Aviron • 04.1994
"'Cette série est un hommage à l'Esprit de la Mer et à un lieu qui a touché mon âme.'"
"'Cette série est un hommage à l'Esprit de la Mer et à un lieu qui a touché mon âme.'"
Campbellton Tribune • 04.1994
"Andrea Blanar presents Homage to the Sea, an exhibition presenting her perception of the spirituality and sensuality of Maritime landscapes."
"Andrea Blanar presents Homage to the Sea, an exhibition presenting her perception of the spirituality and sensuality of Maritime landscapes."
Vie des Arts • 1979
"Aujourd'hui le deuxième étage abrite Graphia et ressemble à plusieurs greniers du Boulevard Saint Laurent revivifiés par leurs artistes-locataires."
"Aujourd'hui le deuxième étage abrite Graphia et ressemble à plusieurs greniers du Boulevard Saint Laurent revivifiés par leurs artistes-locataires."